Song by song the lead character vents his anger and disappointment with the society he lives in and his own personal life, aiming his rage at everything from the political system (“Blind Eye” and “We Are Columbine”) to God and religion (“Waiting for Godot”) to friendship and romance (“Indian Princess” and “Messed it Up Again”). The climax of the album is track 10, the majestic seven minute ‘suicide letter in a song’ entitled “After Tomorrow” where it appears that the lead character has had enough of blaming the world around him and has turned inward only to discover that he doesn’t have what it takes to continue any further in a world full of hate, war, disease, crime and betrayal.
And yet amongst all this drama and pathos there is the beauty and hopefulness of the song “Solaris.” In their traditional Britpop meets post-modern rock style, Ed Hale and company deliver a near perfect pop song clocking in at three minutes and thirty seconds that shines a bit of light on the stage of their apocalyptic rock opera. Sweet and tender and yet mysterious, “Solaris” seems at first to be a love song. But the female character being sung to doesn’t appear to even be alive, at least not alive on planet Earth. Rather, the lead character sounds as if he is singing to someone far removed from all his earthly troubles, someone who is far far away, living in another galaxy called “Solaris.”
Lead singer Ed Hale summed it up this way, “A girl I knew, someone very close to me, had just passed away. And I found it impossible to deal with emotionally. Right around the same time, I had a chance to see the DVD of this old film called “Solaris” starring George Clooney. The film was based on the book by Stanislaw Lem. Seeing that movie just hit me at the right time. I had my guitar with me and while I was watching the film I just started strumming these chords and creating this song about my friend… What I did really, was just place her, Julia, into the movie… in order to bring her back to life for myself. I just felt that because it was unbearable to contemplate her passing that at the very least I could make her alive in some other form, like she’s still living but in a different dimension. So the song “Solaris” is just me, or the lead character of the album if you will, saying a prayer to her, talking to her… asking her how she’s doing… like “how’s life in your new world Julia?” It made me feel better. And although it isn’t enough to keep the lead character alive by the end of the album, I think it gives him some hope along the way to his final decision… like that.”
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